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THE CURTAIN GETS PEELED BACK...
A RANDOM DAY IN THE LIFE OF MICHAEL SCHLIEFKE
August 24, 2004
MORNING
TIMES
My alarm started going off at 9:34. I hit snooze, and for every nine
minutes until around 11 o'clock, my dreams were interrupted with the
din of my tinny little phone's buzzing.
I've always been very superstitious
about setting my alarm to a number ending in four. I don't
know when it started, perhaps even before high school, but it's
always been one of those little safety nets that cushions your
consciousness.
Anyway, no alarm was going to disturb
me this morning, I was having another largely inexplicable dream,
this one set at the ballpark: |
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Staged Sleeping Pic #1 |

Staged Sleeping Pic #2 |
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Staged Sleeping Pic #3 |
GRAND SLAM DREAMS
I rolled around
aimlessly for an hour and a half, in and out of dreams, when one took my
subconscious by storm. I ended up at the finals of a college
baseball season, where a team in green and white was playing a team
decked out in red and blue. I stumbled upon the game late, and
ended up in the outfield stands, which was a sparsely populated grassy
knoll. I took a seat, and caught an errant throw from some players
practicing their throwing skills. The excitement really notched up
when in the ninth, former Pawtucket Red Sox slugger Sam Horn belted out
a game winning grand slam that was caught by yours truly. Before
the excitement died down, a glowing oversized baseball card of Sam Horn
rose above the field and shined a light down onto me. With that, I
rolled out of bed and made my way into studio, to check the lack of
progress my mind has been making there.
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Studio Shot - Argh. |
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Solar Falafel to the Rescue! |
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Rocky's Return |
CHANCE ENCOUNTERS
I wasn't able to look too long before I had people
knocking at my door - a fellow Austin artist who lived in Kansas City
swung by, I met him at an opening on Friday night. I showed him
some of my work, showed off the Bolm Studios, and ran into my old friend
Rocky, Joseph's dog who moved away to Joseph's new house about a month
ago. Reunited with my old friend (he still sits and gives me his
paw, tricks I taught the young lad), Herb and I talked for a while about
galleries, museums, and the affects of chasing off corrupt political
machines to a city's soul. As he was leaving, we were interrupted
by a visit from Armando, who works up the block at Solar Falafel.
He was dropping off some free day old falafels and pitas for us starving
artists to enjoy. It's a regular treat, but one that never gets
old. Plus, they're pretty damned good. If you see one in a
supermarket, pick one up and support Armando and his hard work and kindheartedness.
Continue on to Part 2: Hard at Work
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